Living with the new 15-inch MacBook Pro

Living with the new 15-inch MacBook Pro
When reviewing hardware, it’s important to integrate it into your life as much as possible. If you can, swap it in for your existing devices for a few days or a week, to really get an idea of what it’s like to use it day to day.
There are certain nuances you can only discover through this approach. Of course, that’s easier said than done in most cases. Switching between phones and computers every week isn’t nearly as glamorous as it sounds, especially when juggling multiple operating systems.
As a MacBook Pro owner, however, this one was a fair bit easier. In fact, there’s very little changed here from an aesthetic standpoint, and beyond the quieter keyboard and Siri integration, there’s not a lot that’s immediately apparent in the 2018 MacBook Pro refresh for me. That’s because I’m not the target demographic for the update. I write words for a living. There are large portions of my job that I could tackle pretty easily on an Apple IIe (please, no one tell the IT department).
This upgrade is for a different class of user entirely: the creative professional. These are the people long assumed to be the core user base for the Mac ecosystem. Sure, they only account for around 15 percent of Mac users, according to the company’s estimates, but they’re the people who use the machines to make art. And as such, it’s precisely the group of influencers the company needs to court.

In recent years, however, some vocal critics have accused the company of taking that key demo for granted. Apple has seemed more focused on a populist approach to its technology. The simplification of pro software like Final Cut X and the seeming abandonment of the Mac Pro have been regarded as exhibits A and B.
For the first time in recent memory, the company has serious competition for the hearts and minds of creative pros, including Microsoft, which has made the category a focus with its high-end Surface line.
But the last two years have seen Apple fighting back. The company was uncharacteristically open about the status of the Mac Pro line, which has been undergoing a fundamental rethink. In the meantime, it released the iMac Pro and added a bunch of new features to macOS aimed firmly at that category.
The new MacBook Pro continues that trend; the form factor remains the same, and the changes are largely under the hood. But these are in fact extremely powerful machines built around the premise that, in 2018, one shouldn’t have to compromise power in order to go portable. Well, maybe a little — but in those cases where you need some intense graphical processing, there’s always an external GPU, which makes the machine capable of VR and other process-intensive tasks.
The new Pros top out at a bank-breaking $6,699, presenting a healthy jump over the highest-end models money could buy last year. For the rest of us, however, the starting price remains the same, at $1,799 for the 13-inch and $2,399 for the 15.
Keys to quiet

There’s a lot going on here. First, as many pointed out in the initial announcement, Apple didn’t alter the fundamentals here — they just made the loud typing a bit quieter. That was a surprise to many, given everything that’s happened on that front over the last several months. After all, if the company was going to go out of its way to update the technology, wasn’t a fundamental rethink in order here?
A couple of things. First, things (and lawsuits) didn’t really start getting hot and heavy on that front until recently. The first major class-action suit was filed back in May. Hardware iteration happens slowly, especially with a massive company that supports so many users. After all, you want to get things right — especially when correcting a known issue. A couple of months is hardly sufficient lead time.


Old keyboard
Second, Apple says the actual instances of real keyboard failure are a small minority. I’m inclined to believe that’s the case, though the internet certainly has the tendency to amplify these kinds of things. But still, there seems a reasonable possibility that some bigger fix is in the works.
The company will also point out that, in spite of pushback, many users like the new keyboards. Based on the multiple threads of discussion we had after the news was announced, I can tell you that this is anecdotally true among the TechCrunch staff.
Things got better with gen two, and I’ve certainly become more used to typing on it. I still didn’t love it at first, but I’d say I’m pretty much keyboard-agnostic at this point.

New keyboard
Along with the mechanics, the key travel is the same. So if you had issues with the typing being too shallow for your liking, sorry, you’re out of luck here. An early teardown points to a thin, silicone membrane sitting on top of the keyboard switch that serves to help protect the undercarriage from spills, food particles and the like. I once got a small piece of something stuck under there and it hampered movement entirely.
In my case, it was nothing that a blast of canned air couldn’t fix (we don’t all have one lying around, but we really should), but clearly not everyone has been so lucky on that front. It seems as though the muffling of the sound and the extra sense of tactile pushback was a happy accident of a kind here, but hey, we’ll take it.

Here’s a longish thing we wrote after getting our hands on the system. We enlisted Anthony Ha, TechCrunch’s Loud Typing World Champion five years running (they tried to recruit him out of college, but the allure of writing about VCs was too strong) to try it out. Even with Anthony downright punishing the keys, the result was noticeable.
The new keys aren’t silent, but they’re a lot less likely to get you kicked out of the library. There’s not a huge difference between the actual decibel levels between the two, but the older model’s more staccato typewriter clacking sound has become more dull and less harsh on the ears, which likely makes it sound that much quieter.
Another tidbit here for people who focused on such things: The keys’ cap color is ever-so-slightly lighter than the last. I thought I was going crazy at first, but there you go. I mean, I still think I’m losing my mind, but for non-keyboard-related reasons.
About those specs

Apple didn’t hold back on the specs with the review unit it sent along. The model sports:

2.9 GHz Intel Core i9
32 GB of DDR4 memory
Radeon Pro 560X
4TB of storage

Configured on Apple’s site, that will run you a cool $6,669 — about the same as the monthly rent on a studio apartment in San Francisco, from what I understand. It’s worth noting here that it’s the SSD storage that really pushes the cost into the stratosphere. That’s an additional $3,200 over the default 512GB.
Again, 4TB is probably overkill for the vast majority of users. All of the above configurations are, really, but they’re there if you want/need them. Apple was able to push memory up to 32GB courtesy of finally introducing DDR4 to the MacBook. That move does come with a hit to the battery life, however, so the company went ahead and increased the battery size to offset that hit.
The company says the laptop gets around 10 hours of use in its testing. I admittedly put it through something a bit more rigorous than standardized testing when incorporating it into my daily usage — recording a podcast on Skype, listening to music while working/browsing the web (it’s part of my job, I swear) — and got a few hours less than that.
As for performance, Apple’s not messing around here. Running Geekbench 4 (a popular PC benchmark), I got an impressive 5540 on the single core and 23345 with the multi-core test. Geekbench got similar — if slightly lower — results in its own tests on the high end. Here’s founder John Poole on the findings:
For the 15-inch models, single-core performance is up 12-15%, and multi-core performance is up 39-46%. Since the underlying processor architecture hasn’t significantly changed between the 2017 and 2018 models, the increases in performance are due to higher Turbo Boost frequencies, more cores, and DDR4 memory.
The 2018 MacBook Pro is the most substantial upgrade (at least regarding performance) since the introduction of quad-core processors in the 2011 MacBook Pro.
Taken together, that represents a significant upgrade from last year’s model. Individual performance will vary depending on a lot of different topics, but there’s no doubt these are powerful machines.
Hey, Siri

The addition of hands-free Siri functionality didn’t get a lot of play here, but it’s an important one — if not for the computer itself, then for Apple’s broader ambitions. Like Google’s play, Siri was mobile first.
But Apple’s assistant has always been about building a broader ecosystem of contextual search that can help the company tailor its offerings to individual user needs. We saw this manifest itself last year with the addition of HomePod, a typically Apple high-end approach to the insanely popular world of smart speakers.
The assistant has actually been available on macOS since Sierra (10.12) rolled out back in late 2016. This, however, marks the first time hands-free voice interaction has been available on the desktop. Apple says it was the T2, introduced on the iMac Pro, which allowed for the capability — just one of an extremely long list of features the company has offloaded on the proprietary chip.
Like other key features, Siri is enabled during setup. If you’re the sort who sticks masking tape over your webcam, you can also simply opt out of having the MacBook’s microphones listening in for the wake word. And you can always untick the “Listen for ‘Hey Siri’” box in Settings.
Setup is more or less the same as on iOS. You’ll be prompted to speak a couple of phrases to train the AI on your voice. Device interaction functions similarly as other assistant hardware ecosystems. The moment you say, “Hey, Siri,” your iPhone/Mac/HomePod, et al. communicate with one another, prioritizing either the device that heard the query the best (likely the closest) or was most recently used.
I ended up disabling the feature on my phone in order to test it on the desktop, because there were too many instances of the phone picking it up or having Siri pop up on both at once and then disappearing on the one that was de-prioritized. When the feature was switched off the phone, however, its desktop counterpart was plenty responsive.
All of this leads to a key question: Is a desktop smart assistant ultimately very useful? The primary driver of voice functionality is the ability to free up your hands from having to type. Presumably, however, you’ve already got your hands at or near the keyboard if you’re close enough for Siri to hear you.
Multitasking seems to be the primary use-case here. Say you’re typing and want to know the weather or find movie times, you can definitely do that. Ditto for sports scores — it took a query or two, but “did the A’s win yesterday?” got me the answer I wanted, with a conversational reply, “the Athletics eked out a win over the Giants in the Bay Bridge Series by a score of 4 to 3 yesterday.”
Hey Siri, a win is a win, okay?
Multimedia functionality, which seems like one of the most logical applications, is still limited here. Siri will find and play things in Apple Music, but ask her to play something on Spotify and that’s a no-go — you’ll get an Apple Music link and Wikipedia entry instead. Siri knows which side her bread is buttered on. Ask her to play a movie and she’ll confess that she can’t do that.
More functionality is surely on the way. For now, however, Siri on the desktop is more a nice addition than necessary feature.
Toning it down
Like Siri, True Tone is opt-in during the setup process. You can toggle it on and off at the beginning, which I suggest, just so you know what you’re getting yourself into. And, like Siri, you can always go back into settings later to adjust if it’s not to your liking. Clicking Option and the Touch Bar bright icon will get you there, as well.
The effect, which debuted on the iPad Pro (and rolled out to other new iOS devices) utilizes a light sensor (new for the Mac) to determine the ambient color and brightness of its surroundings. It’s a sort of more sophisticated version of the brightness detection Apple computers have had on board for some time now.
If you’ve ever fiddled with a camera (even the one on your phone in most cases), you recognize the importance of white balance. That’s the thing that turns objects weird colors when you step into different lighting settings. It’s a key to perceiving contrast getting lifelike reproductions of images. I have two 15-inch MacBooks in front of me right now (that’s just how I roll), and it’s like night and day. You’ve got no idea how blue the screen you’ve been staring at is until you see it up against another True Tone-enabled display.
For a majority of us, it’s a nice feature, but for photographers, video producers and designers who rely on a MacBook for their work, it’s a much bigger deal. As recently published support documents point out, the feature will also work with a handful of secondary displays, including Apple’s own, and LG’s Ultrafine 4K and 5K.
Upgrade time?

I’m staring at my now 2017 MacBook Pro as I type this. It’s always tough to compete with the latest and greatest, especially when it’s been specced out like crazy. I’m going to miss the quieter keyboard and True Tone display, for sure. Hands-free Siri, I can really take or leave at the moment, based on current functionality.
But I’m not ready for an upgrade just yet. For a majority of users, the upgrades on the high end will mostly amount to overkill. Thankfully, however, the low-end price points remain the same at $1,799 and $2,399 for the 13- and 15-inch, respectively.
Those who expect a lot more from their machines will no doubt be excited to see what these laptops can do. The new MacBooks aren’t a fundamental rethink by any stretch of the imagination, but they’re a welcome acknowledgment that the company still considers creative pros a key part of its DNA.

Source: Gadgets – techcrunch

Moment Pro Camera app brings big camera controls to your phone

Moment Pro Camera app brings big camera controls to your phone

Moment, the company that brought you the best glass for your mobile device, now gives you DSLR-like controls with their Pro Camera app. Features include full manual adjustment over ISO, shutter speed, white balance, image format and more.

It should be noted that if you don’t have a shiny new device you won’t be able to use the app to its full potential as some of its key features include 3D touch, dual lens control, RAW image format, 120 and 240 fps and 4K resolution.

Moment says the app is for “anyone looking for pro, manual controls on their phone.” Being one of TechCrunch’s resident image makers, I figured I should take the app out for a spin and pit it against the stock camera app. I enlisted my photogenic friend, Jackie, to be my muse.

Scrolling through the manual settings was very easy and the UI never felt fumbly. The histogram is nice to have and utilizes that iPhone notch well. The app doesn’t have portrait mode, however, which Jackie and I would have loved, because, who doesn’t love that buttery (fake) bokeh — amirite? Manipulating the exposure in video mode was equally as easy. The app didn’t have an audio meter or level settings, so folks recording dialog or VO need to plan accordingly. Luckily, our shoot didn’t need it since we were shooting slow-mo.

For a couple extra bucks you can get the same manual controls, audio levels, + RAW with ProCam 5. But if you’re already invested in the Moment Lens ecosystem and primarily shoot photography, the upgrade could be a worthwhile addition.

You can save photos in HEIF, JPG, RAW and TIFF format. For video, you have the option to shoot in 24, 30, 60, 120 and 240 fps in either 720p, 1080p or 4K resolution. Free to try; $2.99 iOS and $1.99 Android to upgrade.

Source: Mobile – Techcruch

Bag Week 2018: Osprey Momentum 32 is ready for muddy trails

Bag Week 2018: Osprey Momentum 32 is ready for muddy trails
Welcome to Bag Week 2018. Every year your faithful friends at TechCrunch spend an entire week looking at bags. Why? Because bags — often ignored but full of our important electronics — are the outward representations of our techie styles, and we put far too little thought into where we keep our most prized possessions.
The Osprey Momentum 32 impresses. I used it during a muddy week at Beaumont Scout Reservation and it performed flawlessly as a rugged, bike-ready backpack. It stood tall in the miserable rain and insufferable heat that engulfed northern Ohio during the camping trip. If it can withstand these conditions, it can withstand an urban commute.
For those following along, Bag Week 2018 ended a week ago. That’s okay. Consider this as bonus content. Before publishing a review on this bag, I wanted to test it during a camping trip, and last week’s trip provided a great testing ground for this bag.

Osprey markets the Momentum 32 as an everyday pack with a tilt toward bicyclists. There’s a clip on the outside to hold a bike helmet and a large pocket at the bottom to store bicycle shoes — or just another pair of shoes. The back panel features great ventilation and the shoulder straps have extra give to them thanks to integrated elastic bands.
It’s the ventilated back panel that makes the pack stand out to me. It’s ventilated to an extreme. Look at me. I’m in my mid-thirties and on a quest to visit all of Michigan’s craft breweries. I sweat and it was hot during my time with this bag. This bag went a long way in helping to keep the sweat under control — much more so than any other commuter bag I’ve used.
There was never a time when I was using this bag that I felt like a sweaty dad, even though the temp reached into the 90s. I appreciate that.
The internal storage is sufficient. There’s a good amount of pockets for gadgets and documents. There’s even a large pocket at the bottom to store a pair of shoes and keep them separated from the rest of the bag’s contents. As any good commuter bag, it has a key chain on a retractable cord so you can get access to your keys without detaching them from the bag.
The bag also has a rain cover, which saved me in several surprise rain showers. The rain cover itself is nothing special; a lot of bags have similar covers. This cover is just part of a winning formula used on this bag.
The Osprey Momentum is a fantastic bag. It stands apart from other bags with extreme ventilation on the back panel and features cyclist and commuters will appreciate.

Source: Gadgets – techcrunch

The Sonos Beam is the soundbar evolved

The Sonos Beam is the soundbar evolved
Sonos has always gone its own way. The speaker manufacturer dedicated itself to network-connected speakers before there were home networks and they sold a tablet-like remote control before there were tablets. Their surround sound systems install quickly and run seamlessly. You can buy a few speakers, tap a few buttons and have 5.1 sound in less time than it takes to pull a traditional home audio system out of its shipping box.

This latest model is an addition to the Sonos line and is sold alongside the Playbase — a lumpen soundbar designed to sit directly underneath TVs not attached to the wall — and the Playbar, a traditionally styled soundbar that preceded the Beam. Both products had all of the Sonos highlights — great sound, amazing interfaces and easy setup — but the Base had too much surface area for more elegant installations and the Bar was too long while still sporting an aesthetic that harkened back to 2008 Crutchfield catalogs.
The $399 Beam is Sonos’ answer to that, and it is more than just a pretty box. The speaker includes Alexa — and promises Google Assistant support — and it improves your TV sound immensely. Designed as an add-on to your current TV, it can stand alone or connect with the Sonos subwoofer and a few satellite surround speakers for a true surround sound experience. It truly shines alone, however, thanks to its small size and more than acceptable audio range.
To use the Beam you bring up an iOS or Android app to display your Spotify, Apple Music, Amazon and Pandora accounts (this is a small sampling; Sonos supports more). You select a song or playlist and start listening. Then, when you want to watch TV, the speaker automatically flips to TV mode — including speech enhancement features that actually work — when the TV is turned on. An included tuning system turns your phone into a scanner that improves the room audio automatically.
The range is limited by the Beam’s size and shape and there is very little natural bass coming out of this thing. However, in terms of range, the Beam is just fine. It can play an action movie with a bit of thump and then go on to play some light jazz or pop. I’ve had some surprisingly revelatory sessions with the Beam when listening to classic rock and more modern fare and it’s very usable as a home audio center.
The Beam is two feet long and three inches tall. It comes in black or white and is very unobtrusive in any home theater setup. Interestingly, the product supports HDMI-ARC aka HDMI Audio Return Channel. This standard, introduced in TVs made in the past five years, allows the TV to automatically output audio and manage volume controls via a single HDMI cable. What this means, however, is you’re going to have a bad time if you don’t have HDMI-ARC.
Sonos includes an adapter that can also accept optical audio output, but setup requires you to turn off your TV speakers and route all the sound to the optical out. This is a bit of a mess, and if you don’t have either of those outputs — HDMI-ARC or optical — then you’re probably in need of a new TV. That said, HDMI-ARC is a bit jarring for first timers, but Sonos is sure that enough TVs support it that they can use it instead of optical-only.
The Beam doesn’t compete directly with other “smart” speakers like the HomePod. It is very specifically a consumer electronics device, even though it supports AirPlay 2 and Alexa. Sonos makes speakers, and good ones at that, and that goal has always been front and center. While other speakers may offer a more fully featured sound in a much smaller package, the Beam offers both great TV audio and great music playback for less than any other higher end soundbar. Whole room audio does get expensive — about $1,200 for a Sub and two satellites — but you can simply add on pieces as you go. One thing, however, is clear: Sonos has always been the best wireless speaker for the money and the Beam is another win for the scrappy and innovative speaker company.


Source: Gadgets – techcrunch

Bag Week 2018: Mission Workshop’s Radian rolltop starts simple but grows piece by piece

Bag Week 2018: Mission Workshop’s Radian rolltop starts simple but grows piece by piece
Welcome to Bag Week 2018. Every year your faithful friends at TechCrunch spend an entire week looking at bags. Why? Because bags — often ignored but full of our important electronics — are the outward representations of our techie styles, and we put far too little thought into where we keep our most prized possessions.
I’ve always been wary of modular, rail-based bag systems. They’ve always struck me as rather military and imposing, which I suppose is kind of the point. Even Mission Workshop, whose other bags I have always enjoyed, put out one that seemed to me excessive. But they’ve tempered their style a bit and put out the Radian, a solid middle ground between their one-piece and modular systems.
The Radian is clearly aimed at the choosy, pack-loving traveler who eschews roller bags for aesthetic — which describes me to a tee. Strictly rolltop bags (originating in cyclist and outdoors circles) end up feeling restrictive in where you can stow gear, and rollers are boxy and unrefined. So the Radian takes a bit from both, with the added ability to add bits and pieces according to your needs.
What it is: Adaptable, waterproof, well-designed and not attention-grabbing
What it isn’t: Simple or lightweight
The core pack is quite streamlined, with no protruding external pockets whatsoever. There’s the main compartment — 42 liters, if you’re curious — and a cleverly hidden laptop compartment between the main one and the back pads. Both are independently lined with waterproof material (in addition to the water-resistant outer layer) and the zippers are similarly sealed. There’s also a mesh pouch hidden like the laptop area that you can pop out or stow at will.
You can roll up the rolltop and secure it with Velcro, or treat it as a big flap and snap it to a strap attached to the bottom of the bag — the straps themselves are attached with strong Velcro, so you can take them off if you’re going roll style. The “Cobra” buckle upgrade is cool but the standard plastic buckles are well made enough that you shouldn’t feel any pressure to pay the $65 to upgrade.

Access is where things begin to diverge. Unlike most rolltop packs, you can lay the bag on the ground and unzip the top as if it were a roller, letting you access the whole space from somewhere other than the top. The flap also has its own mesh enclosure. This is extremely handy and addresses the main ergonomic issue I’ve always had with strictly top-loading bags.
In a further assimilation of rolltop qualities, there’s a secret pocket at the bottom of the bag that houses a large cloth cover that seals up the pack straps and so on, making the bag much more stowable and preventing TSA or baggage handlers from having to negotiate all that junk or bag it up themselves.
Of course, a single large compartment is rarely enough when you’re doing real traveling and need to access this document or that gadget in a hurry. So the Radian joins the Mission Workshop Arkiv modular system, which lets you add on a variety of extra pockets of various sizes and types. Just be careful that you don’t push it over the carry-on size limit (though you can always stuff the extra pockets inside temporarily).
There are six rails — two on each side and two on the back — and a handful of accessories that go on each, sliding on with sturdy metal clips. The pack I tested had two zippered side pockets, the “mini folio” and the “horizontal zip” on the back, plus a cell phone pocket for the front strap.
They’re nice but the rear ones I tried are a bit small — you’d have trouble fitting anything but a pocket paperback and a couple of energy bars in either. If I had my choice I would go with the full-size folio, one zippered and one rolltop side pocket. Then you can do away with the cell pocket, which is a bit much, and have several stowage options within reach. Plus the folio has its own rails to stick one of the small ones onto.
There’s really no need to get the separate laptop case, since the laptop compartment would honestly fit two or three. It’s a great place to store dress shirts and other items that need to stay folded up and straight.

As far as room, the 42 liters are enough on my estimation to pack for a five-day trip — that is to say, I easily fit in five pairs of socks and underwear, five t-shirts, a sweater or two, a dress shirt, some shorts and a pair of jeans. More than that would be kind of a stretch if you were also planning on bringing things like a camera, a book or two and all the other usual travel accessories.
The main compartment has mesh areas on the side to isolate toiletries and so on, but they’re just divisions; they don’t add space. There are places for small things in the outside pockets but again, not a lot of room for much bigger than a paperback, water bottle or snack unless you spring for the folio add-on.
As for looks — the version I tested was the black camo version, obviously, which looks a little more subdued in real life than my poorly color-balanced pictures make it look. Personally I prefer the company’s flat grey over the camo and the black. Makes it even more low-profile.
In the end I think the Radian is the best option for anyone looking at Mission Workshop bags who wants a modular option, but unless you plan on swapping out pieces a lot, I’m not personally convinced that it’s better than their all-in-one bags like the Rambler and Vandal. By all means take a look at putting a Radian system together, but don’t neglect to check if any of the pre-built ones fit your needs as well.

Source: Gadgets – techcrunch

Is the world ready for the return of the PDA?

Is the world ready for the return of the PDA?

I want to live in the Gemini’s universe. It’s one where the promise of on-demand hardware has been fulfilled. Where crowfunding, rapid prototyping, scalable manufacturing all of those good things have improved our lives by giving us the devices we both want and need. It’s the utopian dream of 2011, fully realized.

In the Gemini universe, the PDA never went away. It simply adapted. All of those irritated anti-touch typers had nothing to complain about. Sure, the iPhone still moved a billion units, because Apple, but the physical keyboard simply evolved alongside it, because tech should adapt to people and not the other way around.

Of course, the realities of technological Darwinism are much darker, and every half decade or so, there’s an extinction-level event, and Apple’s smartphone hit the earth like football field-sized asteroid covered in the bubonic plague. Over the past 10 years, many have and tried and all have failed to address the shrinking, but vocal niche of consumers bemoaning the death of the physical keyboard.

Many of us, myself included, fell in love with the Gemini at first sight when we spotted it across the room at CES. It wasn’t the hardware or the execution, so much as the idea. And, of course, we weren’t alone. When an astonishing 6,200 people came together to pledge $2.2 million on Indiegogo to help bring it to life, it was clear London-based Planet Computers had struck a chord.

And with both Nokia and BlackBerry having waged comebacks of sorts (albeit through licensing deals), it seems the iPhone’s 10th anniversary has been the perfect time to revel in a bit of mobile nostalgia. People have gone utterly gaga over the 3310 — clearly there must also be space in amongst this smartphone fatigue where a PDA can positively flourish.

In one sense, it almost didn’t matter what the final hardware looked like, this felt like a kind of bellwether. But in a larger and more important sense, of course it did. When it comes to consumer electronics, people don’t buy ideas, they by hardware. And in the cold, harsh light of day, the Gemini is a far more exciting concept that it is an actual product.

The product is a return of sorts for the Psion 5, with some of that clamshell’s designs back on board. And indeed, the device takes more than a few design cues from that 20-plus-year-old piece of hardware. The build itself is a bit of a mixed bag, here. It’s solid, but the clamshell ensures that it’s big and bulky, compared to standard smartphones with similarly sized screens (5.9-inch).

It’s not much to look at from the outside, with a plain metal casing, through there are some innovative touches here, including a break in the top that can be plied open to access the device’s innards, using compatible tools. The lid flips open, with a nice, satisfying motion, but screen’s hinge feels loose, moving each time you interact with the touchscreen. It would have also been nice to have the display open at different angles, but there are only two positions here: opened and closed.

As for typing, well, if you’re among the vast majority of mobile users have made the leap to touchscreen typing, you’re going to have to unlearn those skills. My own typing on the keyboard is nowhere close to what I’m able to achieve on a touchscreen these days. For a few fleeting moments, I entertained the idea of writing this review on the thing, but almost immediately backed down, when I found it difficult to type even a sentence right the first time.

The device’s size makes for an extremely cramped keyboard, in which many of the keys have to do double duty. But the width and girth of the device itself means there aren’t too many scenarios in which using the keyboard make a whole lot of sense. Attempting to type while holding it feels like an almost acrobatic feat. Really, a flat surface, like a desk, is your best bet, at which point you’re left wondering why you didn’t simply shell out the money for a real laptop. The ability to dual-boot Linux and the inclusion of a healthy 64GB of storage are interesting cases for the product as more of a small computer than a massive phone, that, of course, is ultimately hampered by the small display with smartphone dimensions.

That gets at what is perhaps a larger issue here. It’s unclear which problems the device is looking to solve in a world of ubiquitous slate phones and low-cost laptops and tablets. There aren’t ultimately all that many scenarios in which the throwback makes more sense than the hundreds of other available options, so it’s hard to recommend this as either a primary phone or laptop in 2018.

Perhaps many of its issues can be chalked up to first-generation hardware issues. There’s a lot to be said for the mere fact that the company was able to deliver a product in the first place. The Gemini certainly works as a compelling niche device, and it would be great to see Planet explore this idea further.

Anything that frees us from the oppression of nearly identical handsets is a victory in and of itself. As I said earlier, I want to live a world where devices like the Gemini can peacefully coexist with more mainstream devices. I just won’t be using it as my phone any time soon.

Source: Mobile – Techcruch

The SteelSeries Arctis Pro lineup is a new high-water mark in comfort and quality

The SteelSeries Arctis Pro lineup is a new high-water mark in comfort and quality
SteelSeries has two new Arctis Pro gaming headsets out, and they pack a lot of tech and versatility into a comfortable, visually attractive package. The SteelSeries Arctis Pro Wireless and Arctis Pro + GameDAC are both incredibly capable headsets that deliver terrific sound, and depending on your system needs, should probably be your first choice when looking for new gaming audio gear.
The Arctis Pro Wireless is, true to its name, wire-free, but also promises lossless 2.4GHz transmission to ensure lag-free audio, too – a must for competitive gaming. The combination of the wireless functionality, the long-wearing comfort of the suspension system headband and the included transmitter base that can hold and charge a swappable battery as well as display all key information on an OLED readout makes this a standout choice.
There are some limitations, however – compatibility is limited to either PS4 or PC for this one, for instance. The wired Arctis Pro (without GameDAC) is compatible with the Xbox One, but both the wireless version and the version that connected to the wired DAC will only work with either Sony’s latest consoles or with a Windows or Mac-based gaming PC.
I’m a bit saddened by that since I’m a big fan of PUBG on Xbox, and also lately of Sea of Thieves, but I also do regularly play PS4 and PC games, and the Arctis Pro Wireless is my weapon of choice now when using either, either for multiplayer or single player games. The wearability and sound quality (which includes DTS X 7.1 surround on PC) is so good that I’ll often opt to use them in place of my actual 5.1 physical surround system, even when I don’t need to chat with anyone.

Other options, like the Turtle Beach Elite Pro Tournament Headset, offer different advantages including more easily accessible fine-tune control over soundscape, balance of chat and game audio and other features, but the SteelSeries offers a less complicated out-of-box experience, and better all-day wearability thanks to taking cues from athletic wear for its materials and design.
The GameDAC option additionally has Hi-Res Audio certificate, which is good if you’re looking to stream FLAC files or high-res audio from services like Tidal. The DAC itself also makes all audio sound better overall, and gives you more equalization options from the physical controller .
The main thing to consider with the Arctis Pro + DAC ($249.99) and the Arctis Pro Wireless ($329.99) is the cost. They’re both quite expensive relative to the overall SteelSeries lineup and those of competitors, too. But in this case, cost really is reflective of quality – channel separation and surround virtualization is excellent on these headsets, and the mic sounds great to other players I talked to as well. Plus, the Pro Wireless can connect to both Bluetooth and the 2.4GHz transmitter simultaneously, so you can use it with your phone as well as your console, and the retractable mic keeps things looking fairly stylish, too.

Source: Gadgets – techcrunch

The NEEO universal remote is a modern Logitech Harmony alternative

The NEEO universal remote is a modern Logitech Harmony alternative
The advanced universal remote market is not a very crowded market. In fact, for a while now, Logitech’s Harmony line has been pretty much the only game in town. Newcomer NEEO wants to upset that monopoly with its new NEEO Remote and NEEO Brain combo ($369), which is a system that can connect to just about any AV system, along with a smorgasbord of connected smart devices including Nest, Philips Hue, Sonos and more.
NEEO’s two-part system includes the Brain, which, true to its name, handles all of the heavy lifting. This is a puck-shaped device with 360-degree IR blasters dotting its outside perimeter, and which has one IR extender out (there’s one in the box) for connecting devices held within a closed AV cabinet, for instance. This central hub also connects to your Wi-Fi network, and setup requires plugging it into your router via Ethernet to get everything squared away, similar to how you initially set up Sonos speakers, if you’re familiar with that process.
Most of the setup work you need to do to get NEEO working happens on your phone, and that’s where it becomes apparent that this smart remote was designed for a modern context. Logitech’s Harmony software has come a long way, and now you can do everything you need to do from the iOS and Android app, but it’s still somewhat apparent that its legacy is as something you initially setup using a desktop and somewhat awkward web-based software. The NEEO feels at home on mobile, and it makes the setup and configuration process much better overall.
The other core component of the NEEO system is the NEEO Remote. This is a fantastic piece of industrial design, first of all. It’s a sleek rectangle crafted from aerospace-grade aluminum that oozes charm, in a way that nothing in the current Logitech Harmony lineup can come close to matching. The minimalist design still doesn’t suffer from the ‘which way is up?’ problem that the Apple Remote faces, because of subtle design cues including bottom weighting and the presence of ample physical buttons.

A NEEO Remote isn’t necessary for the system to work – you can just use the Brain along with the companion app for iPhone or Android, but the remote is a joy to hold and use, thanks to its unique design, and it features a super high density display that’s extremely responsive to touch input and pleasingly responsive to touch. NEEO took a lot of time to get this touchscreen experience right, and it pays off, delivering a clear and simple control interface that shifts to suit the needs of whatever activity you’re running at the time.
The NEEO Remote also has an “SOS” feature so that you can locate it if you happen to misplace it, and it can even be configured to recognize different hands if you want to set profiles for distinct members of the household, or set parental control profiles limiting access to certain content or devices. This kind of thing is where NEEO’s feature set exceeds the competition, and shows a particular attention to modern device use cases.
One NEEO Remote can also control multiple NEEO Brains, which is another limitation of the completion. That means you can set up NEEO Brains in each room where you have devices to control, and carry your remote from place to place instead of having to have multiple. The NEEO Brain is still $200 on its own, however, so it’s definitely still a barrier to entry.
NEEO otherwise does pretty much everything you’d expect a smart remote to do in 2018: You can set recipes on the deice itself, including with triggers like time-based alarms or motion detection (without using IFTTT). You can connect it to Alexa, though that functionality is limited at the moment, with more updates promised in future to make this better.
The bottom line is that NEEO offers a competent, intelligent alternative the big dog on the block, Logitech’s Harmony system. Logitech’s offering is still more robust and mature in terms of delivering Alexa and Google Assistant compatibility, as well as rock solid performance, but NEEO has some clever ideas and unique takes that will serve more patient and tech-forward users better over time.

Source: Gadgets – techcrunch

Samsung’s Galaxy S9 is the way to wean yourself off of DSLRs

Samsung’s Galaxy S9 is the way to wean yourself off of DSLRs
Samsung has a new smartphone out, the Galaxy S9 (and S9+). It’s the latest flagship from one of the top smartphone makers in the world, but this year’s version has a lot in common with last year’s model, at least on the surface. The big focus (lol) this year was on the camera, and for good reason: Samsung stepped up its game significantly in this department with this update, and it comes closest to any smartphone camera I’ve tried yet to replicating some of the aspects of traditional photography that I love.
Arguably, other smartphone cameras, and the Pixel 2 in particular, can produce better photos. The Samsung Galaxy S9 is basically on par with that industry leader when it comes to quality of photos when shot in automatic mode – in some situations, including a lot of low-light scenarios, the S9 is better, but in others, like when there are big lightning differences across the scene, Google’s smartphone edges the Samsung. But either device (and the latest iPhones, if you’re going beyond Android) is going to be a fantastic photographic choice for most smartphone buyers, and that shouldn’t be a major concern when making a buying decision.
Where the Samsung Galaxy S9 really takes a leap forward is in bringing some of what has been so appealing about manual-friendly retro camera designs like those favoured by Fujifilm to the mobile realm. There are plenty of manual photography apps that do similar things, but the Galaxy S9 has its crucial dual aperture camera lens, which can manually switch from F/1.5 to F/2.4 in pro shooting mode. This gives you a noticeable degree of control over depth of field, or the effect of subtly blurring either background or foreground details depending on where you want to draw attention in the frame.

It’s this small, but crucial detail that really drives the appeal of the S9 for me. Without it, it’d be difficult to roundly recommend it as a major upgrade from last year’s model, and hard to say that it can stand apart from the rest of the crowd, most of which now feature magnificent cameras.
The Galaxy S9 also produces pretty fantastic results with full-light photos outdoors, as you can see from the gallery, with vibrant, rich color that might be a bit artificial, but ultimately comes off looking like it includes the kind of minor boosts and tweaks I’d do while editing in post anyway. The video shooting is good, as well, though it lacks the degree of stabilization that Google’s Pixel 2 can provide when filming while in motion.
On the Galaxy S9+ (which I didn’t test, but spent a bit of time with ahead of launch), the dual-camera design provides even more balm for DSLR and mirrorless addicts, since it gives you access to that 2x manual zoom. But the standard S9 strikes a great balance in terms of portability, design and features, and honestly most people won’t often use the zoom lens anyway.
Another key feature of the S9 is its new super slow motion mode, which captures brief clips at 960 fps at 720p resolution. I had fun with this, but found its automatic mode frustrating (it rarely detected motion when I wanted it to, and often went either too early or too late to get the moment). Turning that to manual was again more fun, for many of the reasons described above, and more interesting in terms of results produced, like the clip below.

Super slow Mo on the Samsung Galaxy S9 can be tricky but it also pays off
A post shared by Darrell Etherington (@deewok) on Mar 18, 2018 at 12:14pm PDT

Other new features, including the AR Emoji, are less well-executed and will probably enter the dustbin of history with a lot of other Samsung exclusive features. That’s not necessarily a criticism however: Samsung trying a bunch of stuff and then introducing it into the wild for hundreds of millions of customers isn’t hurting anyone (though mode switching on the S9 is super sensitive to casual left and right swipes, meaning AR emoji could come up accidentally) and sometimes crazy stuff they try actually works. AR emojis is not one of those.

Source: Gadgets – techcrunch

The Tapplock One is a fingerprint padlock with solid smarts

The Tapplock One is a fingerprint padlock with solid smarts
Apple’s Touch ID was a step change in convenience for securing its mobile devices, and now that same level of convenience is available in a padlock. The Tapplock One is now shipping, and features a fingerprint sensor for unlocking, as well as a companion app with a Bluetooth unlock backup. The Tapplock One began its […]

Source: Gadgets – techcrunch