Netflix is falling off a cliff

Netflix is falling off a cliff

Netflix didn’t add as many subscribers as expected by a bunch of people on Wall Street who, on a quarterly basis, govern whether or not it’ll be more valuable than Comcast — and that is probably a bad thing, as it’s one of the primary indicators of its future potential for said finance folk.

While it’s still adding subscribers (a lot of them), it fell below the forecasts it set for itself during the second quarter. That’s shaved off more than $10 billion in its market capitalization this afternoon. This comes amid a spending spree by the company, which is looking to create a ton of original content in order to attract a wider audience and lock them into that Netflix ecosystem. That could include shows like GLOWJessica Jones3% or even feature films. But it’s still a tricky situation because it needs to be able to convert shows from that kind of crazy spend schedule into actual subscribers.

Here’s the main chart for its subscription growth.:

So it’s basically down across the board compared to what it set for itself. And here’s the stock chart:

CEOs and executives will normally say they’re focused on delivering long-term value to shareholders, or some variation of that wording, but Netflix is a company that’s been on an absolute tear over the course of the past year. It’s more than doubled in value, overtaking said previously mentioned cable company and signaling that it, too, could be a media consumption empire that will take a decade to unseat like its predecessor. (Though, to be sure, Comcast is going to bundle in Netflix, so this whole situation is kind of weird.)

Of course, all of this is certainly not great for the company. The obvious case is that Netflix has to attract a good amount of talent, and that means offering generous compensation packages — which can include a lot of stock as part of it. But Netflix is also a company that looks to raise a lot of debt to fund the aforementioned spending spree in order to pick up additional subscribers. That’s going to require some assurance that it’ll be a pretty valuable company in the future (and still around, of course), so it may make those negotiations a little more difficult.

Everything else was pretty much in-line, but in the end, it’s that subscriber number that didn’t go as well as planned.

Source: Mobile – Techcruch

Bag Week 2018: Why I still love the Peak Design Everyday Backpack

Bag Week 2018: Why I still love the Peak Design Everyday Backpack
Welcome to Bag Week 2018. Every year your faithful friends at TechCrunch spend an entire week looking at bags. Why? Because bags — often ignored but full of our important electronics — are the outward representations of our techie styles, and we put far too little thought into where we keep our most prized possessions.
A few months back I declared the Peak Design Everyday Backpack the best thing at CES 2018. It was a silly comment since the bag was released a couple of years back but it was new to me. I had purchased the bag from Best Buy a few days prior and was in love with the bag and had to tell the world. I’m happy to report that after carrying the bag around several more conferences and a family trip to Disney World, I’m comfortable declaring it the best backpack I’ve ever used.
The company recently released a black version and sent me one to test. It looks mean. It’s the backpack Darth Vader would carry if he needed to tout around a full frame DSLR, a couple of lenses and a MacBook Pro.

The bag’s main clasp is wonderful. It’s designed in such a way that the wearer can quickly open and securely close it. Just pull down and away to open the bag. To close it, pull down so the top is tight, place the clasp next to the metal rungs and let go. Magnets hold the clasp next to the bag and the tension on the top causes the clasp to find the next available rung. Try it and you’ll love it. I do.
Peak Design equipped the bag with solid hardware. All the clasps are metal and the zippers are durable. I don’t think there’s plastic anywhere on the bag.
Like I said several months ago, the bag is best described as smart and solid. It’s a confident design with just enough pockets and storage options. The bag features one, large pocket that makes up most of the bag. Foldable dividers allow the wearer to customize the bag as needed. And quickly, too. These dividers fold in several ways, allowing the bag to hold, say, a large telephoto lens or several smaller lens.
The bag is packed full of surprises, too. Straps are hidden throughout allowing it to hold a surprising amount of items even a drone.
Small packing cubes make the Peak Design Everyday Backpack a storage cabinet. This is my bag while traveling overseas.
Peak Design positions this bag as a camera bag, but it can be so much more with some little bags. I use these and they fit perfectly in both the 20L and 30L bag. It lets me keep things organized and separated in a way that I’ve haven’t found possible in other bags. Peak Design should look at making a series of these bags. I would be all over them if they did.
The bag I bought back before CES was the 20L. It’s the smallest option though far from small. My 15-inch MacBook Pro squeezes into the laptop compartment and the bag has yet to feel too small even when it’s holding a camera, a couple of books and a travel pillow.
The new black bag looks amazing but it seems to show scuffs and dirt more than my grey one. That’s a shame, too. I throw my bags around and expect a lot out of them. This black bag looks more dirty after one oversea trip than my grey one does after six months of use.
Just like I said back at CES, I’m not going to run through all the details of this bag. A few more are worth calling out: The sternum strap is fantastic. It uses clips without moving parts so it should last a lifetime. The shoulder straps are attached to the bag with a rivet that allows the straps to swivel as needed — it’s a smart advancement in the design of a backpack. And inside the laptop sleeve is a small pocket that is absolutely perfect to hold a Traveler’s Notebook and a pen.
As backpacks go, the Peak Design Everyday Backpack costs more than most. The smaller 20L is $260 and the 30L is $290. To me, the higher price is justified and if there’s a backpack worth the extra cost, it’s this one. I highly recommend this bag.

Bag design with Peak Design

Folks, it’s Bag Week! Tito Hamze visits Peak Design’s HQ in San Francisco to learn about the company and how they create their bags. From humble beginnings starting with a clip to hold your camera to a full-fledged accessory company, this outfit is growing and creating quality products — all while never having taken any traditional VC funding.

Source: Gadgets – techcrunch

Samsung adds ‘The Incredibles’ to its AR Emojis

Samsung adds ‘The Incredibles’ to its AR Emojis

Samsung’s AR Emojis were met with a…lukewarm reception when they launched alongside the Galaxy S9. The augmented reality avatars were regarded as a me-too response to Apple’s Animojis — and more to the point, were downright creepy.

But at launch, the company brought one key element to the offering that Apple hasn’t: a content partnership. And not just any content partnership, mind. A Disney content partnership. So far, it’s rolled out the iconic likes of Mickey, Minnie and Donald, and now, just in time for the latest Pixar sequel, it’s offering up the cast of The Incredibles 2.

Starting today, Galaxy S9 and S9+ owners can download  Mr. Incredible, Elastigirl, Violet, Dash, Jack-Jack and new character Frozone, for all of their AR Emoji-related needs. So users can send a birthday greeting, reach out to a loved one or break up with an ex as their favorite super baby.

The new content pack is available directly through the camera software’s built-in AR Emoji mode. The tech uses in excess of 100 facial features to map the user’s movements.

Source: Mobile – Techcruch

This soft robotic arm is straight out of Big Hero 6 (it’s even from Disney)

This soft robotic arm is straight out of Big Hero 6 (it’s even from Disney)
The charming robot at the heart of Disney’s Big Hero 6, Baymax, isn’t exactly realistic, but its puffy bod is an (admittedly aspirational) example of the growing field of soft robotics. And now Disney itself has produced a soft robot arm that seems like it could be a prototype from the movie.
Created by Disney Research roboticists, the arm seems clearly inspired by Baymax, from the overstuffed style and delicate sausage fingers to the internal projector that can show status or information to nearby people.
“Where physical human-robot interaction is expected, robots should be compliant and reactive to avoid human injury and hardware damage,” the researchers write in the paper describing the system. “Our goal is the realization of a robot arm and hand system which can physically interact with humans and gently manipulate objects.”
The mechanical parts of the arm are ordinary enough — it has an elbow and wrist and can move around the way many other robot arms do, using the same servos and such.
But around the joints are what look like big pillows, which the researchers call “force sensing modules.” They’re filled with air and can detect pressure on them. This has the dual effect of protecting the servos from humans and vice versa, while also allowing natural tactile interactions.
“Distributing individual modules over the various links of a robot provides contact force sensing over a large area of the robot and allows for the implementation of spatially aware, engaging physical human-robot interactions,” they write. “The independent sensing areas also allow a human to communicate with the robot or guide its motions through touch.”
Like hugging, as one of the researchers demonstrates:

Presumably in this case the robot (also presuming the rest of the robot) would understand that it is being hugged, and reciprocate or otherwise respond.
The fingers are also soft and filled with air; they’re created in a 3D printer that can lay down both rigid and flexible materials. Pressure sensors within each inflatable finger let the robot know whether, for example, one fingertip is pressing too hard or bearing all the weight, signaling it to adjust its grip.
This is still very much a prototype; the sensors can’t detect the direction of a force yet, and the materials and construction aren’t airtight by design, meaning they have to be continuously pumped full. But it still shows what they want it to show: that a traditional “hard” robot can be retrofitted into a soft one with a bit of ingenuity. We’re still a long way from Baymax, but it’s more science than fiction now.

Source: Gadgets – techcrunch