Light is building a smartphone with five to nine cameras

Light is building a smartphone with five to nine cameras
Light, the company behind the wild L16 camera, is building a smartphone equipped with multiple cameras. According to The Washington Post, the company is prototyping a smartphone with five to nine cameras that’s capable of capturing a 64 megapixel shot.
The entire package is not much thicker than an iPhone X, the Post reports. The additional sensors are said to increase the phone’s low-light performance and depth effects and uses internal processing to stick the image together.
This is the logical end-point for Light. The company introduced the $1,950 L16 camera back in 2015 and starting shipping it in 2017. The camera uses 16 lenses to capture 52 megapixel imagery. The results are impressive, especially when the size of the camera is considered. It’s truly pocketable. Yet in the end, consumers want the convenience of a phone with the power of a dedicated camera.
Light is not alone in building a super cameraphone. Camera maker RED is nearing the release of its smartphone that rocks a modular lens system and can be used as a viewfinder for RED’s cinema cameras. Huawei also just released the P21 Pro that uses three lenses to give the user the best possible option for color, monochrome and zoom. Years ago, Nokia played with high megapixel phones, stuffing a 41 MP sensor in the Lumia 1020 and PureView 808.
Unfortunately, additional details about the Light phone are unavailable. It’s unclear when this phone will be released. We reached out to Light for comment and will update this report with its response.

Source: Gadgets – techcrunch

Samsung’s Galaxy S9 is the way to wean yourself off of DSLRs

Samsung’s Galaxy S9 is the way to wean yourself off of DSLRs
Samsung has a new smartphone out, the Galaxy S9 (and S9+). It’s the latest flagship from one of the top smartphone makers in the world, but this year’s version has a lot in common with last year’s model, at least on the surface. The big focus (lol) this year was on the camera, and for good reason: Samsung stepped up its game significantly in this department with this update, and it comes closest to any smartphone camera I’ve tried yet to replicating some of the aspects of traditional photography that I love.
Arguably, other smartphone cameras, and the Pixel 2 in particular, can produce better photos. The Samsung Galaxy S9 is basically on par with that industry leader when it comes to quality of photos when shot in automatic mode – in some situations, including a lot of low-light scenarios, the S9 is better, but in others, like when there are big lightning differences across the scene, Google’s smartphone edges the Samsung. But either device (and the latest iPhones, if you’re going beyond Android) is going to be a fantastic photographic choice for most smartphone buyers, and that shouldn’t be a major concern when making a buying decision.
Where the Samsung Galaxy S9 really takes a leap forward is in bringing some of what has been so appealing about manual-friendly retro camera designs like those favoured by Fujifilm to the mobile realm. There are plenty of manual photography apps that do similar things, but the Galaxy S9 has its crucial dual aperture camera lens, which can manually switch from F/1.5 to F/2.4 in pro shooting mode. This gives you a noticeable degree of control over depth of field, or the effect of subtly blurring either background or foreground details depending on where you want to draw attention in the frame.

It’s this small, but crucial detail that really drives the appeal of the S9 for me. Without it, it’d be difficult to roundly recommend it as a major upgrade from last year’s model, and hard to say that it can stand apart from the rest of the crowd, most of which now feature magnificent cameras.
The Galaxy S9 also produces pretty fantastic results with full-light photos outdoors, as you can see from the gallery, with vibrant, rich color that might be a bit artificial, but ultimately comes off looking like it includes the kind of minor boosts and tweaks I’d do while editing in post anyway. The video shooting is good, as well, though it lacks the degree of stabilization that Google’s Pixel 2 can provide when filming while in motion.
On the Galaxy S9+ (which I didn’t test, but spent a bit of time with ahead of launch), the dual-camera design provides even more balm for DSLR and mirrorless addicts, since it gives you access to that 2x manual zoom. But the standard S9 strikes a great balance in terms of portability, design and features, and honestly most people won’t often use the zoom lens anyway.
Another key feature of the S9 is its new super slow motion mode, which captures brief clips at 960 fps at 720p resolution. I had fun with this, but found its automatic mode frustrating (it rarely detected motion when I wanted it to, and often went either too early or too late to get the moment). Turning that to manual was again more fun, for many of the reasons described above, and more interesting in terms of results produced, like the clip below.

Super slow Mo on the Samsung Galaxy S9 can be tricky but it also pays off
A post shared by Darrell Etherington (@deewok) on Mar 18, 2018 at 12:14pm PDT

Other new features, including the AR Emoji, are less well-executed and will probably enter the dustbin of history with a lot of other Samsung exclusive features. That’s not necessarily a criticism however: Samsung trying a bunch of stuff and then introducing it into the wild for hundreds of millions of customers isn’t hurting anyone (though mode switching on the S9 is super sensitive to casual left and right swipes, meaning AR emoji could come up accidentally) and sometimes crazy stuff they try actually works. AR emojis is not one of those.

Source: Gadgets – techcrunch