Google ups the Pixel 3’s camera game with Top Shot, group selfies and more

Google ups the Pixel 3’s camera game with Top Shot, group selfies and more

With the Pixel 2, Google introduced one of the best smartphone cameras ever made. It’s fitting, then, that the Pixel 3 builds on an already pretty perfect camera, adding some bells and whistles sure to please mobile photographers rather than messing with a good thing. On paper, the Pixel 3’s camera doesn’t look much different than its recent forebear. But, because we’re talking about Google, software is where the device will really shine. We’ll go over everything that’s new.

Starting with specs, both the Pixel 3 and the Pixel 3 XL will sport a 12.2MP rear camera with an f/1.8 aperture and an 8MP dual front camera capable of both normal field of view and ultra-wide angle shots. The rear video camera captures 1080p video at 30, 60 or 120 fps, while the front-facing video camera is capable of capturing 1080p video at 30fps. Google did not add a second rear-facing camera, deeming it “unnecessary,” given what the company can do with machine learning alone. Knowing how good the Pixel 2’s camera is, we can’t really argue here.

While it’s not immediately evident from the specs sheet, Google also updated the Pixel visual co-processing chip known as Visual Core for the Pixel 3 and Pixel 3 XL. The updated Visual Core chip update is what powers some of the powerful and processing-heavy new photo features.

Top Shot

With the Pixel 3, Google introduces Top Shot. With Top Shot, the Pixel 3 compares a burst set of images taken in rapid succession and automatically detects the best shot using machine learning. The idea is that the camera can screen out any photos in which a subject might have their eyes closed or be making a weird face unintentionally, choosing “smiles instead of sneezes” and offering the user the best of the batch. Stuff like this is usually gimmicky, but given Google’s image processing prowess it’s honestly probably going to be pretty good. Or as TechCrunch’s Matt Burns puts it, “Top Shots is Live Photo but useful,” which seems like a fair assessment.

Super Res Zoom

Google’s next Pixel 3 camera trick is called Super Res Zoom, which is what it sounds like. Super Res Zoom enables the camera to take a burst of photos and then leverages the fact that each image is very slightly different due to minute hand movements, combining those images together to recreate detail “without grain” — or so Google claims. Because smartphone cameras are limited due to their lack of optical zoom, Super Res Zoom employs burst shooting and a merging algorithm to compensate for detail at a distance, merging slightly different photos into one higher resolution photo. Because digital zoom is notoriously universally bad, we’re looking forward to putting this new method to the test. After all, if it worked for imaging the surface of Mars, it’s bound to work for concert photos.

Night Sight

A machine learning camera hack designed to inspire people to retire flash once and for all (please), Night Sight can visualize a photo taken in “extreme low light.” The idea is that machine learning can make educated guesses about the content in the frame, filling in detail and color correcting so it isn’t just one big noisy mess. If it works remains to be seen, but given the Pixel 2’s already stunning low-light performance we’d bet this is probably pretty cool.

Group Selfie Cam

Google knows what the people really want. One of the biggest hardware changes to the Pixel 3 line is the introduction of dual front-facing cameras that enable super-wide front-facing shots capable of capturing group photos. The wide-angle front-facing shots feature a 97 degree field of view compared to the normal already fairly wide 75 degree field of view. Yes, Google is trying to make “Groupies” a thing — yes, that’s a selfie where you all cram in and hand the phone to the friend with the longest arms. Honestly, it might succeed.

Google has a few more handy tricks up its sleeve. In Photobooth mode, the Pixel 3 can snap the selfie shutter when you smile, no hands needed. With a new kind of motion-tracking auto-focus option you can tap once to track the subject of a photo without needing to tap to refocus, a feature sure to be handy for the kind of people that fill up their storage with hundreds of out-of-focus pet shots.

Google Lens is also back, of course, but honestly its utility is usually left forgotten in the camera settings. And Google’s AR stickers are now called Playground and respond to actions and facial expressions. Google is also launching a Childish Gambino AR experience on Playground (probably as good as this whole AR sticker thing gets, tbh), which will launch with the Pixel 3 and come to the Pixel 1 and Pixel 2 a bit later on.

With the Pixel 3, Google will also improve upon the Pixel 2’s already excellent Portrait Mode, offering the ability to change the depth of field and the subject. And, of course, the company will still offer free unlimited full resolution photo storage in the wonderfully useful Google Photos, which remains superior to every aspect of photo processing and storage on the iPhone.

Many of the features that Google announced today for the Pixel 3 rely on its new Visual Core chip and dual front cameras, but older Pixels will also be able to use Night Sight. Google clarified to TechCrunch that Photobooth, Top Shot, Super Res Zoom, Group Selfie Cam and Motion Auto focus are exclusive to the Pixel 3 and Pixel 3 XL due to a dependence on hardware updates.

With its Pixel line, now three generations deep, Google has leaned heavily on software-powered tricks and machine learning to make a smartphone camera far better than it should be. Given Google’s image processing chops, that’s a great thing, and most of its experimental software workarounds generally work very well. We’re looking forward to taking its latest set of photography tricks for a spin, so keep an eye out for our upcoming Pixel 3 hands-on posts and reviews.

more Google Event 2018 coverage

Source: Mobile – Techcruch

Light is building a smartphone with five to nine cameras

Light is building a smartphone with five to nine cameras
Light, the company behind the wild L16 camera, is building a smartphone equipped with multiple cameras. According to The Washington Post, the company is prototyping a smartphone with five to nine cameras that’s capable of capturing a 64 megapixel shot.
The entire package is not much thicker than an iPhone X, the Post reports. The additional sensors are said to increase the phone’s low-light performance and depth effects and uses internal processing to stick the image together.
This is the logical end-point for Light. The company introduced the $1,950 L16 camera back in 2015 and starting shipping it in 2017. The camera uses 16 lenses to capture 52 megapixel imagery. The results are impressive, especially when the size of the camera is considered. It’s truly pocketable. Yet in the end, consumers want the convenience of a phone with the power of a dedicated camera.
Light is not alone in building a super cameraphone. Camera maker RED is nearing the release of its smartphone that rocks a modular lens system and can be used as a viewfinder for RED’s cinema cameras. Huawei also just released the P21 Pro that uses three lenses to give the user the best possible option for color, monochrome and zoom. Years ago, Nokia played with high megapixel phones, stuffing a 41 MP sensor in the Lumia 1020 and PureView 808.
Unfortunately, additional details about the Light phone are unavailable. It’s unclear when this phone will be released. We reached out to Light for comment and will update this report with its response.

Source: Gadgets – techcrunch

Samsung’s Galaxy S9 is the way to wean yourself off of DSLRs

Samsung’s Galaxy S9 is the way to wean yourself off of DSLRs
Samsung has a new smartphone out, the Galaxy S9 (and S9+). It’s the latest flagship from one of the top smartphone makers in the world, but this year’s version has a lot in common with last year’s model, at least on the surface. The big focus (lol) this year was on the camera, and for good reason: Samsung stepped up its game significantly in this department with this update, and it comes closest to any smartphone camera I’ve tried yet to replicating some of the aspects of traditional photography that I love.
Arguably, other smartphone cameras, and the Pixel 2 in particular, can produce better photos. The Samsung Galaxy S9 is basically on par with that industry leader when it comes to quality of photos when shot in automatic mode – in some situations, including a lot of low-light scenarios, the S9 is better, but in others, like when there are big lightning differences across the scene, Google’s smartphone edges the Samsung. But either device (and the latest iPhones, if you’re going beyond Android) is going to be a fantastic photographic choice for most smartphone buyers, and that shouldn’t be a major concern when making a buying decision.
Where the Samsung Galaxy S9 really takes a leap forward is in bringing some of what has been so appealing about manual-friendly retro camera designs like those favoured by Fujifilm to the mobile realm. There are plenty of manual photography apps that do similar things, but the Galaxy S9 has its crucial dual aperture camera lens, which can manually switch from F/1.5 to F/2.4 in pro shooting mode. This gives you a noticeable degree of control over depth of field, or the effect of subtly blurring either background or foreground details depending on where you want to draw attention in the frame.

It’s this small, but crucial detail that really drives the appeal of the S9 for me. Without it, it’d be difficult to roundly recommend it as a major upgrade from last year’s model, and hard to say that it can stand apart from the rest of the crowd, most of which now feature magnificent cameras.
The Galaxy S9 also produces pretty fantastic results with full-light photos outdoors, as you can see from the gallery, with vibrant, rich color that might be a bit artificial, but ultimately comes off looking like it includes the kind of minor boosts and tweaks I’d do while editing in post anyway. The video shooting is good, as well, though it lacks the degree of stabilization that Google’s Pixel 2 can provide when filming while in motion.
On the Galaxy S9+ (which I didn’t test, but spent a bit of time with ahead of launch), the dual-camera design provides even more balm for DSLR and mirrorless addicts, since it gives you access to that 2x manual zoom. But the standard S9 strikes a great balance in terms of portability, design and features, and honestly most people won’t often use the zoom lens anyway.
Another key feature of the S9 is its new super slow motion mode, which captures brief clips at 960 fps at 720p resolution. I had fun with this, but found its automatic mode frustrating (it rarely detected motion when I wanted it to, and often went either too early or too late to get the moment). Turning that to manual was again more fun, for many of the reasons described above, and more interesting in terms of results produced, like the clip below.

Super slow Mo on the Samsung Galaxy S9 can be tricky but it also pays off
A post shared by Darrell Etherington (@deewok) on Mar 18, 2018 at 12:14pm PDT

Other new features, including the AR Emoji, are less well-executed and will probably enter the dustbin of history with a lot of other Samsung exclusive features. That’s not necessarily a criticism however: Samsung trying a bunch of stuff and then introducing it into the wild for hundreds of millions of customers isn’t hurting anyone (though mode switching on the S9 is super sensitive to casual left and right swipes, meaning AR emoji could come up accidentally) and sometimes crazy stuff they try actually works. AR emojis is not one of those.

Source: Gadgets – techcrunch